A testament to that lies in the sheer number of interviews you read where the artists say "Producer X made me do eleventy-one takes to use for doubling..."Another thing that had an impact is thinking about what a sound/part will do in the mix when I’m writing. So, for example, I may have some sound/parts made just to provide a wide layer when I want the stereo image to get wide and big, without having to put effects (often with detrimental consequences?) on the important parts to get “that wide sound”.
The more I think about the way things will fit in the mix and I anticipate the problems, the less headaches down the line.
Statistics: Posted by Gamma-UT — Thu Oct 10, 2024 8:40 am